یاخی بوونی ژن لە سستمی نێرسالاری لە ڕۆمانی (سێبەری درۆ)دا

Authors

  • د. نجم خالد

DOI:

https://doi.org/10.56422/ka.3.61.565

Keywords:

male society, femininity, body, Sonya Sdeeq, rebellion.

Abstract

The issue of sexual discrimination exercised against women has become one of the main subjects of feminist criticism. They are treated and studied at a global level and also taught as a core subject in the world's most important universities. Theories and researches on this issue are published from different and versatile perspectives.

The aim of all this is to find radical solutions to the suffering of the woman, which makes up half of the Earth's population or may be more. The Women's History has occupied a vast area of literary criticism, especially in narrative criticism, and has its writers, theorists and critics.

The novel "Shadow of Lies" by the Kurdish journalist and storyteller Sonya Sdeeq, is one of the feminist narratives that addresses this thorny and controversial subject. In its entirety, it addresses the suffering of Kurdish pastoralism in a society that still reigns in the past, expressing men's hegemony in all aspects of marital, family and community life. And don't see it as a female and a body that provokes a man's lust. She is the wife and wife of a housewife who can only perform domestic duties and care for children. She is not allowed to express an opinion on the events taking place around her. She is also not allowed to possess her husband's permissible and royal body. Women also have no power over their children.

The novel addresses the pastoral jurisprudence from the perspective of feminist criticism. The author tries to exhibit in a good manner and build art the most important suffering of the woman in Kurdistan-Iraq, such as marginalization, attraction, alienation and exploitation even by people close to her, such as her mother, husband, brother, neighbors and even some people in the street space.

This study entitled (Rebellion of the Male System in the Novel Shadow of Lying) is through three axes, from the perspective of feminist criticism, she reveals to the reader the domination of the woman by abolishing her identity and occupying her body deprived by the male authority, which gives men every right to engage in sexual and physical violence against women, without regard for her humanity, she is a woman who loses freedom and suffers the most forms of oppression and social injustice.

The account of the novel is as a witness denounces the true nature of the case and calls for the realization of her freedom and the rehabilitation of her identity as a human being before she is a body. Her body is the title of her identity as a female, not a symbol of her inferiority or vulnerability to her personality. Society has to acknowledge her existence as a free, independent and irreversible human being.

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Published

2024-12-11

How to Cite

خالد د. ن. (2024). یاخی بوونی ژن لە سستمی نێرسالاری لە ڕۆمانی (سێبەری درۆ)دا. Journal of the Kurdish Academy, 3(61), 196–214. https://doi.org/10.56422/ka.3.61.565